To be advance means to face, and not evade, every clear crisis that comes. says Fritz Kunkel. This postulate is demonstrated through the character Paul in Conrad Aikens Silent Snow, Secret Snow. This young boy is beginning to produce and grow by of his childhood, and he goes through a res publica of repudiation that comes to life as a psychosis. In fear, he reaches for his past and his childhood, which are represented by his neighborhood postman. However, he cannot hold onto that forever. Man has an innate fear of ripening up, change, and the lyssa that can come with it. This young boys psychosis, the beguile, represents Mans fear of increment up. Â Â Â Â Â Â Â Â Pauls undercover, the world of snow that he sees, is his way of keep uping himself from growing up. It hides the world from him like a m different, and like a mother, it lets him kick downstairs like he has something special and is safe. The vote counter states Nor was it only a source of posse ssion - it was also a sense of preservative cover. (165) This protection is the protection that a child feels with his mother, and with his ignorance of the horrors of the world. He uses this snow to keep out those things that would cause him to mature out of his safe, rudimentary world.
During school, his instructor and classmates occasionally break through his snow and he acknowledges them. For the to the highest degree part, however, he keeps them in the real world, on the other array of the snow. He blocks out his teacher, Miss Buell, as the narrator says, putt his secret between himself and the words. (1 65) He also blocks out his classmate girl, D! eirdre. She represents romantic love, which is a very mature feeling, and that adulthood is what he is afraid of. If you want to get a encompassing essay, format it on our website: BestEssayCheap.com
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